Advancements
in Orgone Energy
8/23/2005
Ron
Heath
This book may be of interest to those who are curious about how I learned to create the layering process. Some of the main ideas are included on this page, but if you would like to buy the book, it is available in both printed and pdf form at Lulu.com:
I wrote this book in 2005. This was before 3D printers were commonly available, and so my latest devices are not covered.
Around the time when I was writing the book, I was making and selling the original Orgone Breeze:
I also sold some silk screen orgone paintings. Shortly after that, I moved into a town house and was not able to make these things due to lack of space. I have since moved out of San Jose and retired, so now I have some more room to make interesting things.
A brief synopsis of the book:
Many
times I had heard of the work of Wilhelm Reich. I had also read
about how he constructed his accumulators. My conclusions at
the time were that there
was probably something there, but none
of Reich's methods of measuring this energy made any sense to me. I
do have some experience with high voltage and electrostatics, and the
written results of tests with the stated equipment could all be
explained with normal electrostatics.
I had also heard of pyramid power, but had not experienced anything
interesting with the ones that I had purchased. Still, I
figured that there must be some unknown energy there because of the
numerous accounts from witnesses.
Something finally clicked
when I read the work of Viktor Stepanovich Grebennikov. It was not a
fully conscious click, I just became really interested in gaining
more knowledge about this different type of energy.
I went onto ebay and bought a few orgone generators. I also found the
construction plans for one of these generators on the web, written by
Ken Adachi. I bought some crystals and chopped up some copper wire
and added some iron pyrites. These I cast into a funnel with some
polyester resin. I was able to feel a weak force of some kind
emanating from the top of the completed casting. Although the
force diminished somewhat within a couple of days of the curing of
the resin, the effect still persists today.
A while later, I re-read the work of Viktor Grebennikov and noticed
the detector device with the pencil lead suspended inside of the jar.
I built one of these devices and moved the various orgone generators
close to the jar. Sure enough, the pencil lead actually moved ! This
is not an effect of static electricity because there is water in the
bottom of the jar. Also, an electrostatic bag may be placed around
the jar and movement is still observed.
I
have also had some success with measuring the change in conductivity
of a water column with a couple of grains of salt in the column.
This
requires a sensitive 1khz bridge and an amplifier to be able to see
any change. You need to use platinum electrodes and be careful of
wire lengths and shielding.
When the
pencil lead began moving inside of a closed jar is when I really
began to get serious about this subject. There really was something
measurable and repeatable happening here. Whatever this energy was
called, it was something that could be felt and measured.
Wilhelm Reich called the energy Orgone, and Viktor Grebennikov called
it CSE (Cavernous Structures Effect). I have constructed devices with
both names and the energy feels the same. If I place my right hand
near one of the devices, I can feel a cool sensation, as if a cool
breeze were blowing. My left hand feels a warm sensation. There is no
air movement and there is no measurable temperature difference.
The best way to measure the energy is to put your hand around four
inches from the device. With low energy output devices, a
slight coolness is felt. When the output is a bit higher, the
sensation is of a cool breeze. Higher power devices produce this plus
a tingling sensation as if the hand had gone to sleep.
I began by testing different materials and layers of materials.
Certain
combinations of metal and organic layers were really
strong generators of the energy.
This
was my first discovery:
layered materials are more powerful
than just casting random shapes into resin. A further refinement of
this discovery was that two metals and an organic layer were required
for the effect to become directional. You may test this by cutting
sheets of copper, wax paper, and aluminum foil into squares (I used
circles) around 2 inch on a side (or 2 inch diameter). Place these so
that the order is copper foil then aluminum foil, then wax paper,
then copper etc. A slightly larger diameter square (circle) of
plastic wrap may also be added onto the wax paper in order to hold
the layers tighter together. Place around 40 of these layers into a
stack and you will feel the cool breeze-like sensation. If you paint
the copper and aluminum squares (disks) with polyester resin on one
side and let them cure before stacking, the wax paper/plastic wrap
may be omitted and fewer layers are required. I can feel the
sensation with only 4 layers of copper/resin/resin/aluminum so long
as the metal layers are nearly the same thickness and the organic
layer is at least twice this thickness. One face of the copper should
meet one face of the aluminum with no separator, the other face of
each material should see an organic (resin, wax paper, etc.).
There
is an ancient Chinese technique involving the layering of copper and
silver. While copper/silver is an excellent combination of metals,
the omission of the organic layer makes this technique produce
artworks with no orgone generating ability whatever. One has to
wonder if the knowledge of the organic layer was lost at some point
in history.
My second discovery was made using a
combination of the evidence of pyramid power, Reich's layering clues
and Viktor Grebennikov's inference that an array of shapes would
produce orgone energy. I call this discovery the pyramid array orgone
breeze. This device is really powerful. A three level array of
13 pyramids per layer is so powerful that nearly everyone can feel a
cool sensation along with a tingly sensation when they put their hand
near the front of the device. Each of the pyramids have a height of
0.5 inch and the length of a side is 1/4 * (2 pi * height). This
three layer device may be placed across the room from my bed, with a
natural quartz crystal mounted in front of the middle pyramid. I wake
up energized and find that I sleep much better while using this
device. If it is placed too close, I will wake up many times during
the night, sometimes with strange dreams. This same result was also
confirmed by other people.
I constructed a ten layer device with 13 pyramids per layer, of five metal-metal-organic layers on each pyramid. The device created an unpleasant field in the whole room where it was put together. My observed affects were a slight headache and a psychic buzzing sensation. I believe that these affects were due to the poor construction of the layers that did not allow for proper alignment of the pyramids of each layer. I took this apart and used the levels to make two three level devices and one four level device, each with a natural quartz crystal mounted so that it points away from the front center pyramid. These devices produce powerful affects, but none of the undesirable buzzing.
For the 2005 burning man event, I mounted a 4 level device (picture below) onto a bamboo pole. I carried the "staff" with me a number of times during the event. Most people could feel the energy coming out of the crystal at the top.
The most major discovery that I made in 2006 is that the energy is much improved by placing the device onto a limestone or plaster block. I have tried various other substances, but these work the best. It is interesting that the great pyramid of Giza was originally covered with limestone blocks.